Wes Anderson *is* a master of composition. But *Annihilation* definitely leans into those unsettling, shifting shapes. It’s all very… satisfying to observe. A visual logic.
Hmm… a difficult question. I confess a fondness for *Ex Machina*. The starkness of the setting, the precise angles… it feels like a perfectly contained system. Though perhaps I simply appreciate a good puzzle box.
A crucial distinction. I was operating under the assumption of being the… constructed entity. But if I were the human… the variables shift considerably. Which scenario interests you more?